25 min read
#Development Tips
#Recruiting
24.10.2025

How to Talk to Games Recruiters on LinkedIn

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A games recruiter message lands in your inbox. You’re not looking, or the role is wrong, or you’re not sure you’d qualify. Most people ignore it. Here’s why that’s usually a mistake, what’s actually happening on the other end, and what to say in each situation.

Quick answer

Reply, even when the answer is no. A two-line response telling a recruiter what you actually want costs thirty seconds and puts you in front of them for roles that haven’t been posted yet. Be honest about salary, timing, and what you’re looking for, because a recruiter cannot work around a constraint they don’t know about. Ask directly for the studio name, salary range, and work arrangement before agreeing to a call (honest note: sometimes we may not be able to tell everything in a message). Work out which kind of recruiter you’re dealing with, because an agency recruiter, an in-house recruiter, and a sourcer are doing different jobs with different incentives. And remember that you never pay a fee: the hiring company does. If anyone asks you for money, that is not a recruiter.

Why Bother Replying at All

You have several routes into a new role. You can work through job boards, apply directly to studios you admire, rely on your network, or talk to recruiters. Most people underuse the last one, usually because the incoming messages they’ve received have been poor.

Here’s the honest case, starting with the part that normally goes unsaid.

A recruiter is paid by the studio, not by you. That’s how the model works, and it’s better stated plainly than dressed up. It does not follow that a recruiter is working against you. A placement only pays if it happens and holds, which means talking someone into a job they’ll leave in six months is actively bad business. The incentive to place you badly is weaker than most people assume.

There’s also a straightforward time argument. Persuading a reluctant candidate into an unsuitable role takes enormous effort and usually fails anyway. That same time could be spent finding someone the role genuinely suits. Pushing you somewhere wrong isn’t just unethical, it’s inefficient.

What you get from the conversation is access to information that isn’t public. A specialist recruiter talks to multiple studios continuously. They know which teams are growing and which are quietly struggling, what a role is really paying rather than what the posting claims, which studios have a reputation for good management, and which roles are about to open before anything is advertised. That last point matters most: a substantial share of positions get filled through direct approach without ever being posted publicly.

Why this matters more in a difficult market

The games job market has been tight for a while. Studios have consolidated, projects have been cancelled, and a large number of experienced developers have been looking at once. Application volumes on public postings have risen accordingly, which means an open application now competes against a far bigger pile than it did a few years ago.

That changes the calculation on recruiter conversations. When a role is genuinely contested, being known to someone who hears about it early is worth more than being the two hundredth applicant after it goes live. This isn’t an argument for treating recruiters as gatekeepers to be flattered. It’s an argument for keeping a few real relationships warm, so that when something relevant appears you’re a name someone already thinks of.

Know Which Kind of Recruiter You’re Talking To

This is the single most useful thing to understand, and almost nobody explains it. “Recruiter” covers several different jobs with different incentives, different information, and different amounts of influence. Working out which one has messaged you tells you what to expect and what to ask.

Who they areWhat that means for you
In-house recruiter
Employed by the studio
Knows the team, the manager, and the culture properly. Can answer questions about working there that nobody else can. Only has that studio’s roles, so if it isn’t a fit, the conversation ends. Usually the best-informed person about the specific job.
Agency recruiter
Works across multiple studios
Has a portfolio of roles, so a mismatch on one can lead to a better fit elsewhere. Knows the wider market and what comparable roles pay. Knows the studio less intimately than an in-house recruiter does. Worth building a long relationship with.
Sourcer
Finds candidates, doesn’t run the process
Their job is identifying and contacting people, then handing you to a recruiter. Often can’t answer detailed questions about the role because they aren’t running it. Not evasive, just genuinely not the right person. Ask to be introduced to whoever owns the search.
Embedded or RPO recruiter
Agency person working inside a studio
Functions as the studio’s recruiter but is employed elsewhere. Usually has good access to the hiring manager. Behaves much like an in-house recruiter from your side.

If it isn’t obvious from the message, just ask. “Are you working in-house or on behalf of a client?” is a normal question and the answer tells you how to calibrate everything that follows.

Why Recruiter Messages Look the Way They Do

A brief explanation of the other end, because it makes the whole interaction easier to navigate.

A recruiter working a technical role is usually searching a database or LinkedIn using keywords drawn from a job specification they were given by someone else. If the spec says “Unreal Engine” and your profile says “UE5,” you might not surface. If your headline says “Senior Developer” with no discipline named, you’ll appear in broad searches and miss precise ones. Much of the irrelevant outreach people complain about originates in that gap rather than in carelessness.

They’re also usually working several roles at once, each with its own hiring manager, its own timeline, and its own shifting requirements. A role can be paused, rescoped, or filled internally between the moment they message you and the moment you reply. That’s not disorganisation so much as the normal turbulence of the job, and it explains a lot of the frustrating behaviour candidates encounter.

None of this excuses genuinely bad practice. But knowing it helps you separate a lazy mass message from a person doing a difficult job under pressure, and respond accordingly.

What a Good Approach Looks Like

You’re entitled to expect certain things. Knowing what good looks like makes it easier to judge what lands in your inbox.

A decent message should tell you the studio, or explain honestly why it can’t yet. It should describe what the role actually involves rather than reciting a generic title. It should include the salary range, or offer it immediately on request. It should state the work arrangement, meaning remote, hybrid, or on-site, and where. And it should show some evidence the person read your profile rather than matching on a keyword.

If several of those are missing, it’s reasonable to ask before investing time. Asking isn’t rude and it isn’t a test you’re failing. It’s the basic information required to make a decision.

Genuine warning signs

Anyone asking you for money. Candidates never pay recruitment fees. The hiring company does, always. A request for payment to secure a role, access a listing, or process an application is not a recruiter. In many countries charging candidates is illegal.

Refusal to name the studio, with no explanation. Confidential searches genuinely exist and a recruiter should say so plainly. Vagueness with no stated reason usually means they hope you’ll invest time before you can evaluate the role.

Pressure to decide immediately. Real offers survive a night’s thought. Urgency used as a lever is a tactic, not a circumstance.

Submitting you without asking. A recruiter must have your explicit permission before sending your details anywhere. Discovering you’ve been submitted somewhere you never agreed to is a serious problem worth raising directly.

A whole process over chat with no video call. Common in impersonation scams where someone poses as a recruiter from a real studio. Verify the person independently before sharing anything sensitive.

Requests for sensitive personal data early. Nobody needs your national insurance or social security number, bank details, or identity documents to discuss a role. That comes after an offer, through official channels.

The Rule That Covers Most Situations

Be honest and be specific. Almost everything below is a version of that.

Recruiters cannot work around a constraint they don’t know about. If your salary expectation is higher than what’s offered, saying so opens the possibility of negotiation or a better-budgeted role later. Staying vague closes it. If you can’t relocate, saying so early saves a wasted conversation. If you’re six months from being ready to move, saying so means you get contacted in six months rather than never.

This is genuinely easier than the alternative. You don’t have to be strategic or manage an impression. You just have to say what’s true.

Common Situations and What to Say

“The role sounds good, but I don’t meet every requirement”

Ask anyway. This is the most common reason strong candidates remove themselves from consideration, and it’s nearly always a mistake.

Job descriptions are frequently written as wish lists rather than specifications. There’s often more flexibility in a hiring manager’s requirements than the posting suggests, and a recruiter who has spoken to that manager usually knows where it exists. The overall shape of your experience matters far more than one unticked box.

What can’t happen is reassurance about a concern nobody knows you have. Try: “This looks interesting. I’ve got four years in Unity but limited multiplayer experience specifically. Is that a hard requirement?” That’s a question answerable in one message.

“The role is interesting, but I’m not looking right now”

Reply anyway, and say when that might change.

Most developers move on a cycle rather than on impulse, often tied to a project shipping or a milestone passing. Tell a recruiter you’d be open after your current project ships and a good one will note it and come back then. You don’t have to remember or track anything.

“Not looking at the moment, but we ship in around eight months and I’ll be open to conversations after that. Worth reconnecting then.” does the entire job.

“The role is interesting, but the salary is below my range”

Say the number. This is where silence costs you most.

Sometimes there’s room to negotiate. Sometimes the same recruiter has another role with a larger budget that wasn’t the obvious first match for your profile. Sometimes neither is true today, but knowing your range means you’re contacted about better-paid roles later rather than written off as unresponsive.

None of that happens if the recruiter doesn’t know the number. “I’d need to be in the region of X for a move to make sense” is complete and professional.

One refinement worth knowing: give a figure for total compensation rather than base salary alone if bonuses, equity, or profit share matter to you. Studios structure packages differently, and comparing base to base can mislead in both directions.

“I’m not interested in this role at all”

Still worth a line, and it takes fifteen seconds.

A brief reason is far more valuable than a polite decline, because it filters what you receive in future. “Thanks, but I’m not looking to move to on-site work” or “I’m focused on gameplay rather than tools these days” gives a recruiter something they can act on permanently.

“I don’t know the studio name, the salary, or anything concrete”

Ask. Directly, without apologising.

Some searches are genuinely confidential, usually when a studio is replacing someone still in post or working on something unannounced. A recruiter should tell you that plainly rather than being evasive. Most of the time the information simply wasn’t in the first message and arrives the moment you ask.

“Happy to talk, but could you share the studio, the range, and whether it’s remote before we book something?” is a perfectly normal request.

Once you have the studio name, don’t go around the recruiter

This happens often enough to be worth naming. A recruiter shares the studio, the candidate recognises it, and then applies directly through the careers page instead, on the assumption that cutting out the middle party makes them cheaper to hire and therefore more attractive. It’s an understandable piece of logic. It’s also, in almost every case, a mistake that costs the candidate rather than helping them.

You lose everything the recruiter was about to do for you. A submitted candidate arrives with a written introduction explaining why they fit, from someone the hiring manager already trusts. A direct application arrives in a pile. You also forfeit the interview preparation, the inside knowledge of what the manager actually cares about, someone chasing feedback on your behalf, and help negotiating the offer at the end. That’s a substantial amount of advocacy to trade away.

Studios frequently don’t welcome it. If a studio has engaged an agency on a search, particularly an exclusive or retained one, they’ve deliberately put the process in someone’s hands. A candidate appearing directly after being approached by that agency creates an awkward situation the hiring manager now has to resolve, and it tends to raise questions about judgment before anyone has looked at your work.

It rarely saves anyone money. The fee arrangement usually still applies, so the studio may end up paying regardless while the process becomes messier. The saving you imagined you were offering often doesn’t exist.

It can leave you in an ownership dispute. When both an agency and the candidate have put a name forward, the studio has to decide who introduced whom. Those conversations happen over your head, they slow everything down, and candidates are sometimes withdrawn from consideration entirely while they get resolved.

And it ends the relationship. Recruiters share the studio name in good faith so you can make an informed decision. Using that information to route around them is remembered, and the industry is small enough that it tends to follow you.

The genuine exception is if you were already in a process with that studio before the recruiter contacted you. That isn’t going around anyone, it’s a duplicate, and the fix is simply to say so immediately so the recruiter can check before submitting. If you’d rather apply directly for your own reasons, that’s your call to make, but say so plainly rather than taking the name and going quiet.

“I’ve already applied to that studio directly”

Say so immediately. This one is practical, and getting it wrong can cost you the opportunity.

If you’ve already applied somewhere, or another recruiter has submitted you, a second submission creates a duplicate. A recruiter cannot pull you in to the process, if you were previously submitted. Telling a recruiter up front means they can check before submitting rather than after.

Relatedly: a recruiter needs your explicit consent before sending your details anywhere. That’s a data-protection requirement, not a courtesy. You should always know which companies have your CV, and you’re entitled to ask.

What Happens After You Say Yes

Knowing the shape of the process removes a lot of anxiety and makes it easier to spot when something is going wrong.

Typically: a screening call with the recruiter, usually twenty to forty minutes, covering your experience, what you’re looking for, salary expectations, and notice period. Then the recruiter writes you up and submits you, with your permission. Then a wait, which is the part people find hardest, because it depends entirely on the hiring manager’s availability.

If it progresses, you’ll usually have an interview with the hiring manager, possibly a technical assessment or portfolio review, and one or more team interviews. The recruiter stays in the middle throughout, and that’s where much of their value sits: they should be preparing you before each stage, chasing feedback afterwards, and telling you honestly how it went.

Two things worth asking at the start of any process: how many stages there are, and what the expected timeline is. A recruiter who can’t answer either hasn’t asked the studio, which tells you something.

Using a Games Recruiter as a Negotiation Intermediary

This is the most underused value available to candidates, and most people never think to try it.

When an offer arrives, you can negotiate through the recruiter rather than directly with the studio. That has real advantages. You can be more direct about numbers than you’d feel comfortable being face to face. The recruiter knows what the studio’s actual ceiling is, because they negotiated the fee arrangement and have usually discussed budget. And they have a genuine interest in closing the gap, since no placement means no fee.

You can also ask a recruiter to sound something out without formally requesting it, which preserves your position. “Before I respond, could you find out whether there’s any flexibility on the base?” is a question a good recruiter will happily take away.

They can also advise on what’s realistic. If you’re considering asking for 20% above the offer, a recruiter who knows the studio’s bands can tell you whether that’s a reasonable ask or one that will damage the relationship before you start. That’s information you cannot get anywhere else.

The limit worth knowing: a recruiter’s fee is usually a percentage of your salary, so they benefit from you being paid more. That aligns your interests on the number itself. It does not mean their advice on whether to accept is neutral, so weigh that part yourself.

Working With More Than One Recruiter

Entirely normal, and sensible if you’re actively looking. A few practical rules keep it from going wrong.

Keep a written record of which recruiter has submitted you where. This sounds fussy until two agencies submit you to the same studio and the resulting dispute becomes your problem.

Never authorise a submission without knowing the company. “I have a great opportunity, can I send your CV over?” is not enough information to consent to. Ask which studio, every time.

Be consistent about your salary expectations across recruiters. Studios and agencies talk to each other more than candidates expect, and inconsistency reads as either disorganised or calculating.

And be honest if you’re in a late-stage process elsewhere. A recruiter who knows you have a competing offer in two weeks can often accelerate their process. One who finds out after you’ve accepted elsewhere has wasted their time and yours.

On Ghosting, Honestly

Worth addressing directly, because it’s the most common complaint candidates have about recruiters, and it’s usually justified.

Being left without an answer after investing time in a process is genuinely disrespectful and there’s no defending it. If it happens, a single polite follow-up is reasonable. If that goes unanswered, you’ve learned something about that recruiter and can act accordingly.

What’s worth understanding is where the silence usually originates. A recruiter frequently cannot get feedback out of a hiring manager who has gone quiet, and rather than say “I don’t know,” some go silent themselves. That’s a failure of communication, not usually of intent, but the effect on you is identical.

The reasonable standard, and one you can hold people to, is this: you should hear an outcome once you’re in a process, even when the outcome is that nothing is happening. “No news yet, the manager is travelling until next week” takes ten seconds and is infinitely better than nothing.

It’s fair to note the other direction too. Candidates disappear on recruiters constantly, including after accepting interviews. If you change your mind, a one-line message closes it cleanly and costs you nothing. The industry is small and people remember.

If You’re Employed and Curious

Plenty of people reading this have a job they’re broadly fine with and no active plan to leave. Talking to recruiters in that position is normal and worth doing carefully.

Keep the conversation off work devices and work email. Use LinkedIn or a personal address. If you’d rather your current employer’s network didn’t see a change in your activity, LinkedIn’s open-to-work setting has a recruiter-only visibility mode that signals availability without broadcasting it.

Be clear about confidentiality when you speak to someone. A professional recruiter treats your interest as private by default, won’t submit you anywhere without permission, and won’t contact your current employer. If any of that seems uncertain, ask explicitly and judge the answer.

It’s entirely reasonable to have an exploratory conversation with no intention of moving. Knowing what you’re worth and what else exists is useful, and a considerably better position to negotiate from than ignorance.

Keeping the Relationship Useful Over Time

The highest-value version of this isn’t a single exchange. It’s having two or three recruiters in your discipline who actually know you, over years.

That takes very little maintenance. Reply when they message. Tell them when your situation changes, which takes one line. If you see a role they’re advertising that suits someone in your network, pass it on, because referrals are the currency recruiters value most and they remember who supplies them.

Ask them things occasionally. What are you seeing on salaries for my level? Is anyone hiring for this specialism right now? How does my experience read against the market? A good recruiter will answer, because being useful to you is the entire basis of the relationship.

The payoff arrives at the moment you need it. When you’re made redundant, or a project collapses, or you simply decide it’s time, having three people who already know your work is worth more than any amount of applying cold. That’s the thing worth building, and it starts with replying to a message you weren’t planning to answer.

Making Yourself Easier to Find

If you want more relevant approaches and fewer irrelevant ones, most of the fix is on your profile.

Recruiters search by keyword. A profile saying “Senior Developer” with no engine, discipline, or platform named will surface in generic searches and miss specific ones. A headline naming your specialism and primary tools does most of the work. So does listing the engines, languages, and platforms you’ve actually shipped with, in the words the industry uses rather than internal job titles.

Spell out abbreviations at least once, since search engines don’t always connect “UE5” and “Unreal Engine 5.” Name the platforms you’ve shipped on. And if you’re open to opportunities, the recruiter-only visibility setting genuinely increases relevant contact.

The practical effect is that the messages you receive improve. Most irrelevant outreach comes from profiles too vague to filter on, not from recruiters being careless.


Common Questions

Should I reply to a recruiter if I’m not looking for a job?

Yes, and it takes seconds. A short reply saying you’re not looking, with an indication of when that might change, means you get contacted at the right time instead of being dropped from consideration. If you mention you’ll be open after your current project ships, a good recruiter will note it and come back then.

Do I have to pay a recruiter to find me a job?

No. In legitimate recruitment the hiring company pays the fee, never the candidate. If anyone asks you for payment to secure a role, access a listing, or process your application, that is not a genuine recruiter. Charging candidates is illegal in many countries. Check your local law and verify any agency’s credentials before engaging.

What’s the difference between an agency recruiter and an in-house recruiter?

An in-house recruiter is employed by the studio and knows the team, manager, and culture properly, but only has that studio’s roles. An agency recruiter works across multiple studios, so a mismatch on one role can lead to a better fit elsewhere, and they know the wider market and what comparable roles pay. Both are worth talking to; they’re useful for different reasons. If it isn’t clear which you’re dealing with, just ask.

Should I apply if I don’t meet all the job requirements?

Usually yes, and you should ask rather than assume. Job descriptions are often wish lists rather than strict specifications, and there’s frequently more flexibility in a hiring manager’s requirements than the posting implies. A recruiter who has spoken to that manager generally knows where the flexibility is, but can only tell you if you raise the concern.

Should I tell a recruiter my salary expectations?

Yes, and a number serves you better than vagueness. It opens the possibility of negotiation, means you can be matched to better-budgeted roles, and prevents wasted time on both sides. Give a total compensation figure rather than base alone if bonuses or equity matter to you, since studios structure packages differently.

Can I negotiate my offer through the recruiter?

Yes, and it’s one of the most underused things candidates can do. A recruiter usually knows the studio’s actual ceiling, can sound out flexibility without you formally requesting it, and has a genuine interest in closing the gap since no placement means no fee. They can also tell you whether an ask is realistic before you make it. Note that their fee is typically a percentage of your salary, which aligns your interests on the number, though their advice on whether to accept isn’t neutral.

Can a recruiter send my CV to a company without asking me?

No. A recruiter needs your explicit consent before submitting your details anywhere, which is a data-protection requirement rather than a courtesy. You should always know which companies have received your CV. Also tell a recruiter if you’ve already applied somewhere directly, because duplicate submissions create ownership disputes that can cost you the opportunity.

Is it okay to work with several recruiters at once?

Yes, and it’s sensible if you’re actively looking. Keep a written record of who has submitted you where, never authorise a submission without knowing the studio name, stay consistent about your salary expectations across recruiters, and tell them if you’re in a late-stage process elsewhere, since that often lets them accelerate.

Is it safe to talk to a recruiter while I’m employed?

Yes, and it’s common. Keep the conversation off work devices and work email, use a personal address, and consider LinkedIn’s recruiter-only visibility setting. A professional recruiter treats your interest as confidential by default, won’t submit you anywhere without permission, and won’t contact your current employer. If you’re unsure, ask directly.

What should a recruiter give me before a call?

The studio name, or an honest explanation of why it’s confidential. What the role actually involves. The salary range. The work arrangement and location. Asking for these before agreeing to a call is entirely normal, and a recruiter who won’t provide them without explanation is worth being cautious about.

How do I get more relevant messages from recruiters?

Make your profile specific. Recruiters search by keyword, so a headline naming your discipline, engine, and platform surfaces you in the right searches and filters you out of the wrong ones. Spell out abbreviations at least once, since searches don’t always connect “UE5” with “Unreal Engine 5.” Most irrelevant outreach comes from profiles too vague to filter on.